Praise Fuller (b. Houston, Texas) is a New York-based, self-taught artist, poet, and educator with a practice spanning printmaking, installation, and mixed media with a central focus on the cyanotype process. Fuller’s work emerges from historical analysis and introspections, exploring what lies beyond the constraints of family, the church, trauma, and the cultural realities of the South. These introspections are interwoven with the concept of “rememory,” a term borrowed from Toni Morrison, which reflects how memory exists beyond, or even escapes, the individual mind by inhabiting objects, places, and communities.
She creates spectral cyanotypes where portraiture, archival photographs, and found objects become vessels of collective memories, inspired by the surreal and the gothic tension of the American South—reverence and ruin, what is meant to rot, and what can be renewed.
Fuller has been an artist in residence at Poco a Poco (2023) and the Macedonia Institute (2025). Her work has been exhibited with the Harwood Museum in Taos, NM, and Ward Gallery (formerly 25 Allen St) in collaboration with Slow Factory. She regularly holds cyanotype workshops in collaboration with institutions and organizations, including the Center of Photography at Woodstock.
Selected Press